What our Year 12 English Advanced students receive
Comprehensive Theory Book
In-Class Guided Writing
Homework and Personalised Feedback
One-to-one workshop
Online Submissions
Exclusive Online Resources


Stop looking online for resources! With our complete set of resources including textual analysis, critical readings, and contextual information, you can focus on refining your analytical and creative skills.
Stop memorising essays. Learn how to develop and express your own insights. With the best tools and support on your side there’s nothing to fear!
Comprehensive Theory Book
In-Class Guided Writing
Homework and Personalised Feedback
One-to-one workshop
Online Submissions
Exclusive Online Resources
Text-Based Year 12 English Course Program (New Syllabus)
Learn how to approach unseen texts
Gain a deep understanding of the syllabus requirements
Refine your written style for a variety of purposes
Practice and perfect essay composition
King Richard III / Looking for Richard
Mrs Dalloway / The Hours
The Tempest / Hag-Seed
Sylvia Plath / Ted Hughes
T. S. Eliot
King Henry IV, Part 1
Emma
Revise the Common Module and all the English Advanced Modules in 9-Weeks
Review all the syllabus points
Revise all the written styles
Complete mock exams in preparation for the HSC
Leave your details to get notified when your class opens.
Text-based classes provide in-depth textual understanding, explanations of critical analysis, and essay writing skills
Lesson 1
• Introduction to the Common Module
• Engaging with emotion
• Engaging with unseen prose texts
• Debating perspectives
Lesson 2
• Build an empathetic approach to reading
• Approaching visual texts
• Revision of key visual techniques
• Writing Task: Responding to Texts
Lesson 3
• Exploring emotion through short film
• Writing Task: Imaginative Engagement
• Considering the role of the related text
• Revision of key cinematic techniques
Lesson 4
• Common Module assessment preparation
• Building study notes
• Figurative devices in review
• Writing Task: Short Answer Responses
Lesson 5
• An introduction to desire
• Exploring representation in poetry
• Human desire and your prescribed text
• Writing Task: Poetic Analysis
Lesson 6
• Writing Workshop
• Transforming your ideas into writing
• How to write with clarity
• A guide to different writing styles
Lesson 7
• Approaching the human condition
• The human condition in action: Kate Tempest
• How to build a personal interpretation
• Writing Task: Drafting an Essay
Lesson 8
• Collective experiences: a primer
• The representation of collective experiences
• Mapping experiences in your prescribed text
• Writing Task: Responding to Prose
Lesson 9
• Review of the Common Module syllabus
• Writing Task: Paper One Mock Exam
• Mock Exam peer review
Lesson 1
Breakdown of major syllabus points for Module A
Introduction to Richard III
The War of the Roses
Shakespeare’s context
Writing Task: Module connections
Lesson 2
Introduction to Looking for Richard
The political context of the 1990s
The context of Al Pacino
Writing Task: Comparing Richards
Lesson 3
The nature of evil
Evil in Richard III
The attraction of evil
Writing Task: Body paragraphs
Lesson 4
Evil in Looking for Richard
Pacino’s Anne
Exploring values
Writing Task: Comparing appearances
Lesson 5
Appearances and reality
Richard III, fact versus fiction
Richard and the machiavel
Writing Task: Module A Essay
Lesson 6
Reality in Looking for Richard
Pacino’s directorial power
Method acting
Writing Task: Module A Essay
Lesson 7
Fate and Shakespeare
Fate in Looking for Richard
Writing Task: Thesis Statements
Lesson 8
Metatheatricality
Shakespeare and Metatheatre
Pacino and Metatheatre
Writing Task: Module A Essay
Lesson 9
What to expect in Paper 2
Writing Task: Mock Exam
Lesson 1
Breakdown of major syllabus points for Module A
Introduction to The Hours
Cinematic language
Writing Task: Module connections
Lesson 2
Introduction to Mrs Dalloway
Narrative style
Beyond a single narrator
Writing Task: Comparing Texts
Lesson 3
Mastering Module A
Modernism and Mrs Dalloway
The Hours as a homage to Woolf
Writing Task: Comparing Texts
Lesson 4
Feminist values and Mrs Dalloway
Clarissa Dalloway’s struggle
Writing Task: Exploring values
Lesson 5
Woolf as a queer woman
Representing relationships between women
Repression and self-discovery
Writing Task: Module A Essay
Lesson 6
Illness and freedom
Resonances between the texts
Woolf’s sense of illness
Trauma and illness
Writing Task: Module A Essay
Lesson 7
Memory and time
The present and the past
Clock time and duration
Writing Task: Module A Essay
Lesson 8
Preparing for Module A
Past questions
How to create effective study notes
Writing Task: Module A Essay
Lesson 9
What to expect in Paper 2
Writing Task: Mock Exam
Lesson 1
Breakdown of major syllabus points for Module A
Introduction to the texts
Shared concerns in The Tempest and Hag-Seed
Writing Task: Reflecting on language
Lesson 2
Adaptation and appropriation
Shakespeare’s context
Writing Task: Writing about context
Lesson 3
Atwood’s context
Values and perspective
Writing Task: Writing about context
Lesson 4
The character of Prospero
The character of Felix
Module A Essay structure
Writing Task: Essay Scaffold
Lesson 5
Appearance and reality
Directing the action
Metafiction
Writing Task: Module A Essay
Lesson 6
Artifice and illusion
The courtly masque
Writing Task: Body paragraphs
Lesson 7
Imprisonment
Forgiveness and Release
Writing Task: Module A Essay
Lesson 8
Caliban in The Tempest
Caliban in Hag-Seed
Writing Task: Module A Essay
Lesson 9
What to expect in Paper 2
Writing Task: Mock Exam
Lesson 1
Breakdown of major syllabus points for Module A
Introduction to Plath and Hughes
Plath’s life and poetry
‘The Arrival of the Bee Box’
Writing Task: Exploring Plath’s poetry
Lesson 2
What is a Textual Conversation?
Ted Hughes and Birthday Letters
‘Fulbright Scholars’
‘The Bee God’
Writing Task: Comparing Plath and Hughes
Lesson 3
Exploring Plath’s context
‘Lady Lazarus’
‘The Bell Jar’
Writing Task: Drawing connections between the poets
Lesson 4
The tragedy of Ted Hughes
‘The Shot’
Module A Body Paragraphs
Writing Task: Comparing ‘Lady Lazarus’ and ‘The Shot’
Lesson 5
Plath’s influences
Plath and her family
‘Daddy’
Writing Task: Module A Essay
Lesson 6
Hughes’ influences
‘A Picture of Otto’
Thesis Statements
Writing Task: Module A Essay
Lesson 7
Plath and motherhood
‘Nick and the Candlestick’
‘Red’
Ariel at fifty
Writing Task: Module A Essay
Lesson 8
Exploring illness
‘Fever 103’
‘Fever’
Writing Task: Module A Essay
Lesson 9
What to expect in Paper 2
Writing Task: Mock Exam
Lesson 1
• Introduction to the major syllabus points for Module B
• Introduction to Eliot ‘Preludes’
• The literary movements of the nineteenth century
• Writing Task: Reflecting upon meaning in ‘Preludes’
Lesson 2
• Eliot’s personal context
• Introduction to ‘The Love Song of J. Alfred Prufrock’
• Eliot and modernism
• Writing Task: Comparing ‘Prufrock’ with ‘Preludes’
Lesson 3
• Consideration of textual integrity
• Close reading of ‘The Love Song of J. Alfred Prufrock’
• Modernism and ‘Prufrock’
• Literary allusion and ‘Prufrock’
• Writing Task: Analysis of literary allusion and ‘Prufrock’
Lesson 4
• Consideration of Module B essay structure
• Close reading of ‘Rhapsody on a Windy Night’
• Writing Task: Drafting a Module B introduction
Lesson 5
• Developing understanding of body paragraph structure
• Introduction to ‘The Hollow Men’
• Considering symbolism in ‘The Hollow Men’
• Writing Task: Analysis of symbolism and motif in Eliot
Lesson 6
• How to refine the structure of body paragraphs
• Close reading of ‘The Hollow Men’
• Writing Task: Evaluation of the role of isolation in Eliot
Lesson 7
• How to integrate evidence into your argument
• Introduction to ‘Journey of the Magi’
• Writing Task: Module B essay composition
Lesson 8
• Close reading of ‘Journey of the Magi’
• Biblical allusion in Eliot
• Writing Task: Module B essay composition
Lesson 9
• Review of the syllabus requirements
• Mock Exam
Lesson 1
• Introduction to the major syllabus points for Module B
• Introduction to Henry IV, Part I
• The major characters
• Writing Task: Reflecting on characters
Lesson 2
• The play and English history
• History as social commentary
• Thinking about historical accuracy
• Writing Task: Henry IV in context
Lesson 3
• England and English identity
• Time in the early modern period
• Time in Henry IV, Part I
• Writing Task: Time and language
Lesson 4
• Textual form and integrity
• Prose and prosody
• Form and innovation
• Writing Task: Critical engagement with form
Lesson 5
• The foundations of power
• The divine right of the king
• A consideration of pragmatism
• Writing Task: Thematic analysis
Lesson 6
• Introduction to chivalry
• Critiques of chivalric honour
• Chivalry and masculinity
• Writing Task: On chivalry
Lesson 7
• The structure and shape of an essay
• Planning a Module B essay
• Writing Task: drafting your essay
• Peer review and interpreting feedback
Lesson 8
• Lying and the human condition
• Representation, reality, and metatheatre
• On death
• Writing Task: The legacy of the play
Lesson 9
• Review of the syllabus requirements
• Mock Exam
Lesson 1
Lesson 2
Lesson 3
Lesson 4
Lesson 5
Lesson 6
Lesson 7
Lesson 8
Lesson 9
9 weekly lessons in the school term for in-depth learning
10 min | Introduction Overview of lessonTeachers explain objectives and outcomes of each lesson. |
60 min | Theory Lesson Part 1 Gain in-depth knowledge and understandingStudents are guided through detailed textual analysis by teachers. |
10 min | Break |
40 min | Theory Lesson Part 2 Develop your English skillsStudents learn how to develop and express your own ideas for insightful responses. |
60 min | In-Class Writing & Feedback Perfect your writing skillsStudents perfect their critical and creative writing skills with personalised and insightful feedback from teachers! |
Thursday 4:30pm – 7:30pm Module A:
9:30am – 12:30pm Module A: |
Saturday 9:30am – 12:30pm Module A:
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Thursday 4:30pm – 7:30pm Module A:
Saturday 9:30am – 12:30pm Module A:
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Monday 4:30 – 7:30pm Module A:
Tuesday 4:30 – 7:30pm Module A:
Saturday 9:30am – 12:30pm Module A: Saturday 9:30am – 12:30pm Module A: |
Friday 4:30pm – 7:30pm Module A:
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Chatswood |
Thursday 4:30pm – 7:30pm Module A:
9:30am – 12:30pm Module A: |
Epping |
Saturday 9:30am – 12:30pm Module A:
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Hurstville |
Thursday 4:30pm – 7:30pm Module A:
Saturday 9:30am – 12:30pm Module A:
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Strathfield |
Monday 4:30 – 7:30pm Module A:
Tuesday 4:30 – 7:30pm Module A:
Saturday 9:30am – 12:30pm Module A: Saturday 9:30am – 12:30pm Module A: |
Town Hall |
Friday 4:30pm – 7:30pm Module A:
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Matrix | Others | ||
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Teachers | Matrix Vast classroom teaching experience, HSC and/or university teaching experience with an ability to explain concepts clearly | Others Have little or no actual teaching experience, cannot explain difficult concepts in a manner that students can understand | |
Program | Matrix Teaching program that covers the NSW board of studies syllabus. Structured learning system that allows students to develop sound study habits every week | Others Most private tutors and other tuition centres do not follow a set structure; rather they have an ad-hoc approach without considering timing and outcomes | |
Resources | Matrix A full set of resources written by academics and education researchers. Online access to Supplementary exam papers / texts with top responses. | Others Only address content that students raise, use generic textbooks. | |
Assessments | Matrix Short quizzes and topic tests held under strict exam conditions to ensure students have a solid understanding of the subject | Others No exam style quizzes and test that assess the student’s weaknesses, hence not being able to identifying their learning needs | |
Reporting | Matrix Weekly tracking of Grades, Quiz and Topic Test results so student and parents can monitor their progress. | Others No measured tracking process so they cannot tell if the student is struggling or improving. | |
Learning Management System | Matrix Share information, academic resources and advice with classmates from over 220 schools. | Others Do not have the library of resources or past exams that can help students excel | |
One-to-One Workshops | Matrix Free workshops to target individual learning needs | Others No additional support outside the lesson. |
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